Before anything reaches a screen, it starts with my hands - scissors, brush, and paper. I cut, paint, stamp and layer, creating textures, shapes and prints. Only then does the digital process begin, turning each element into a repeating pattern, with no AI involved.
Look closely, and you'll still find the handwork - a cut edge that's not perfectly straight, a brushstroke with a subtle imperfection, a layer quietly showing through the one beneath it. I don't fix these. They're the whole point.
The result: patterns that keep the warmth of the handmade originals, brought into repeat with the precision only a computer can add.
